{"id":568,"date":"2020-07-31T15:40:20","date_gmt":"2020-07-31T14:40:20","guid":{"rendered":"https:\/\/www.willer.co.uk\/viewing-rooms\/?page_id=568"},"modified":"2024-11-26T08:39:15","modified_gmt":"2024-11-26T08:39:15","slug":"lynn-chadwick","status":"publish","type":"page","link":"https:\/\/www.willer.co.uk\/viewing-rooms\/lynn-chadwick\/","title":{"rendered":"Lynn Chadwick"},"content":{"rendered":"

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LYNN CHADWICK<\/strong><\/h6>\n

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INSTALLATION VIEWS<\/h3>\n

[\/et_pb_text][et_pb_nextend_smart_slider_3 slider=”2″ _builder_version=”4.27.3″ _module_preset=”default” custom_css_before=”padding-top: 59 !important” global_colors_info=”{}” hover_enabled=”0″ sticky_enabled=”0″][\/et_pb_nextend_smart_slider_3][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ disabled_on=”off|off|off” admin_label=”Section” _builder_version=”4.16″ _module_preset=”default” background_enable_color=”off” width=”100%” max_width=”1500px” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”the-works” _builder_version=”4.16″ _module_preset=”default” background_color=”#f8f7f7″ width=”100%” module_alignment=”center” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”4vw||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”Section-THE WORKS” module_id=”the-works” _builder_version=”4.16″ _module_preset=”default” header_4_line_height=”1.6em” custom_margin=”0px||0px||true|false” custom_padding=”0.5vw|8vw|1.2vw|8vw|false|false” global_colors_info=”{}”]<\/p>\n

THE WORKS<\/h3>\n

[\/et_pb_text][dpdfg_filtergrid include_categories=”8″ post_number=”5″ order=”ASC” thumbnail_size=”300×300″ overlay_icon_color=”rgba(0,0,0,0.5)” show_post_meta=”off” show_filters=”off” pagination_type=”button” ajax_load_more_text=”SHOW MORE” items_width=”18%” bg_items=”rgba(0,0,0,0)” items_width_last_edited=”off|desktop” disabled_on=”on|on|off” admin_label=”Divi FilterGrid” _builder_version=”4.16″ _module_preset=”default” dpdfg_entry_title_level=”h6″ dpdfg_entry_title_text_align=”center” custom_load_more_button=”on” load_more_button_text_size=”13px” load_more_button_border_width=”1px” load_more_button_use_icon=”off” custom_margin=”0px||0px||true|false” custom_padding=”0px||2.5vw||false|false” border_width_all=”0px” global_colors_info=”{}”][\/dpdfg_filtergrid][dpdfg_filtergrid include_categories=”8″ post_number=”4″ order=”ASC” thumbnail_size=”300×300″ overlay_icon_color=”rgba(0,0,0,0.5)” show_post_meta=”off” show_filters=”off” pagination_type=”button” ajax_load_more_text=”SHOW MORE” items_width=”18%” bg_items=”rgba(0,0,0,0)” items_width_last_edited=”off|desktop” disabled_on=”off|off|on” admin_label=”Divi FilterGrid-MOBILE” _builder_version=”4.16″ _module_preset=”default” dpdfg_entry_title_level=”h6″ dpdfg_entry_title_text_align=”center” custom_load_more_button=”on” load_more_button_text_size=”13px” load_more_button_border_width=”1px” load_more_button_use_icon=”off” custom_margin=”0px||0px||true|false” custom_padding=”0px||2.5vw||false|false” border_width_all=”0px” global_colors_info=”{}”][\/dpdfg_filtergrid][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”1500px” module_alignment=”center” custom_padding=”0px||0px|||” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”the-exhibition” _builder_version=”4.16″ _module_preset=”default” background_color=”#f8f7f7″ width=”100%” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider admin_label=”Divider” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][et_pb_text admin_label=”Section-THE EXHIBITION” module_id=”the-exhibition” _builder_version=”4.16″ _module_preset=”default” text_text_color=”#645f4d” text_letter_spacing=”1px” header_4_line_height=”1.6em” text_orientation=”center” custom_margin=”0px||0px||true|false” custom_padding=”0.5vw|8vw|1.2vw|8vw|false|true” global_colors_info=”{}”]<\/p>\n

THE EXHIBITION<\/h3>\n

Willer is pleased to present\u00a0Lynn Chadwick:\u00a0Exploring the\u00a0Abstract, 60 years on<\/em>, an exhibition\u00a0of pieces from the renowned 20th\u00a0Century sculptor\u2019s extensive and\u00a0significant body of work that have not been\u00a0shown since the 1960\u2019s, the decade\u00a0in which they were created.<\/h4>\n

[\/et_pb_text][et_pb_image src=”https:\/\/www.willer.co.uk\/viewing-rooms\/wp-content\/uploads\/2020\/10\/exhibition-header.jpg” title_text=”exhibition-header” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text admin_label=”Text” _builder_version=”4.16″ _module_preset=”default” text_text_color=”#645f4d” text_letter_spacing=”1px” header_4_line_height=”1.6em” background_color=”#ffffff” text_orientation=”center” custom_padding=”1.5vw|8vw|3vw|8vw|false|true” global_colors_info=”{}”]<\/p>\n

Even those well versed in Chadwick\u2019s oeuvre are less likely\u00a0to have seen and be familiar with the sculptures he produced during a very\u00a0prolific period in the early part of the 1960\u2019s.<\/h4>\n

The work\u00a0marked a new departure for the artist, the exploration of more abstract forms, drawing\u00a0on the combination of geometrical shapes and often overlain with a significant\u00a0nod to constructivist\u00a0architecture.<\/h4>\n

His working methods and the resulting pieces were both\u00a0innovative and highly original in their day, and continue to be\u00a0so\u00a0now, 60 years on.<\/h4>\n

The aesthetic appeal for the contemporary viewer is\u00a0unmistakable. The forms, the scale, the varied use of an exceptional range of\u00a0bronze patinations, the relationships that can be created between the\u00a0pieces,\u00a0all attest to the enduring vision of one of the 20th\u00a0Century greats\u00a0and its relevance today.<\/h4>\n

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The artefacts of Chadwick\u2019s innovative methods have survived at Lypiatt Park, his home and studio. The wire armatures he\u00a0constructed as the first step in his process, and the working models ultimately created from them, from which the pieces were cast in bronze.<\/h4>\n

Willer is grateful to the Chadwick estate for lending two of these working models to be shown alongside the pieces cast from\u00a0them. Those models, together with two of the rare surviving metal armatures created by Chadwick, which are also featured in the exhibition, give a unique insight into the creation of the sculptor\u2019s work.<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”exhibition-at-home” _builder_version=”4.16″ _module_preset=”default” width=”100%” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][et_pb_column type=”1_2″ module_class=”ds-vertical-align” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.willer.co.uk\/viewing-rooms\/wp-content\/uploads\/2020\/10\/exhibition-ar-home-LFT.jpg” title_text=”exhibition-ar-home-LFT” force_fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ module_class=”ds-vertical-align” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/www.willer.co.uk\/viewing-rooms\/wp-content\/uploads\/2020\/10\/exhibition-ar-home-RGT.jpg” title_text=”exhibition-ar-home-RGT” force_fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”exhibition-at-home-intro” _builder_version=”4.16″ _module_preset=”default” width=”100%” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0vw|0px|0vw|0px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ module_class=”ds-vertical-align” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#645f4d” text_letter_spacing=”1px” header_4_line_height=”1.6em” text_orientation=”center” custom_padding=”1.5vw|8vw|3vw|8vw|false|true” global_colors_info=”{}”]<\/p>\n

\u2018At home\u2019 at Lypiatt, pieces from the exhibition.<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” width=”100%” max_width=”1500px” module_alignment=”center” custom_margin=”0px||0px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” admin_label=”the-artist” _builder_version=”4.16″ _module_preset=”default” width=”100%” custom_margin=”0px|0px|0px|0px|true|true” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][et_pb_column type=”4_4″ module_class=”ds-vertical-align” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_divider admin_label=”Divider” module_id=”the-artist” _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” admin_label=”The Artist INTRO” _builder_version=”4.16″ _module_preset=”default” background_color=”#f8f7f7″ width=”100%” custom_margin=”2.5vw|0px|2.5vw|0px|true|true” custom_padding=”0px|0px|0px|0px|true|true” global_colors_info=”{}”][et_pb_column type=”1_2″ module_class=”ds-vertical-align” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” header_3_font=”||||||||” header_3_letter_spacing=”2px” header_3_line_height=”1.7em” header_4_line_height=”1.6em” custom_padding=”|8vw||8vw|false|true” custom_padding_tablet=”1.5vw||1.5vw||true|true” custom_padding_phone=”1.5vw||1.5vw||true|true” custom_padding_last_edited=”on|tablet” global_colors_info=”{}”]<\/p>\n

THE ARTIST<\/h3>\n

Lynn Chadwick (1914-2003) is one of the pre-eminent British sculptors of the 20th Century.<\/h4>\n

During a career spanning over 50 years until his death in 2003 he secured an international reputation underpinned by major prizes, important commissions, and a lifetime of private and public exhibitions, culminating with a major retrospective at Tate Britain in late 2003.<\/h4>\n

Represented in the world\u2019s leading public and private collections, increasing recognition of his major contribution to British sculpture ensures that his reputation continues to grow.<\/h4>\n

Photo: Warren Forma, 1964<\/i><\/h4>\n

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Chadwick was self-trained as a sculptor. His work was process-led and based on improvisation with the materials. He welded together frames made of iron or steel rods to see how they would develop. The iron or steel frame was then filled with an industrial compound of iron filings and plaster called Stolit, which could be worked wet or dry and set like stone, to create the form in his mind\u2019s eye. He usually worked to the full size of the finished piece.<\/h4>\n

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His method was unique in his choice not to sketch his sculpture beforehand, preferring instead to improvise all parts of the process without a specific plan in place, radically breaking with the tradition of first sketching a planned sculpture and then carving the piece from wood or stone. He rejected what he characterised as the amorphousness of stone, preferring to work with iron because it allowed him to \u201cdo a three dimensional drawing\u2026which has a very definite shape.\u201d<\/h4>\n

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Photographing the stolit encased Beast XXIV, ready for the final phase of the process, casting in bronze.\u00a0<\/span><\/h4>\n

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